Bach Bibliography Search Result

Author : Marissen, Michael
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Lutheranism, Anti-Judaism, and Bach's St. John Passion.				1998	127p
	2.	The Social and Religious Designs of J. S. Bach's Brandenburg Concertos.				1995	160p
	3.	Bach's Oratorios: The Parallel German-English Texts with Annotations.				2008	208p
	4.	An introduction to Bach Studies.				1998	xi, 189p
	5.	Bach & God.				2016	xxi, 257p
	6.	On Linking Bach's F-Major Sinfonia and his Hunt Cantata.	Bach	23	2	Fall-Winter 1992	31-46
	7.	More Source-Critical Research on J. S. Bach's Musical Offering.	Bach	25	1	Spring-Summer 1994	11-27
	8.	In Memoriam: J. Reilly Lewis (15 September 1944—9 June 2016).	BachNotesABS		25	Fall 2016	7
	9.	Concerto Styles and Signification in Bach's First Brandenburg Concerto.	BachPerspectives	1		1995	79-101
	10.	Creative Responses to Bach from Mozart to Hindemith.	BachPerspectives	3		1998	ix, 160p
	11.	The theological character of J. S. Bach's Musical Offering.	BachStud	2		1995	85-106
	12.	Bach. Brandenburg Kyosokyoku.	BCJ		42	May 2000	8-19
	13.	Brandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721.	BCJ		42	May 2000	28-33
	14.	Yohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku.	BCJ		76	Apr 2007	9-40
	15.	Beziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach.	BeitrBachF	9-10		1991	104-128
	16.	Bach's St. John Passion and the Jews.	Colloquium	4		Autumn 2007	141-143
	17.	Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos.	diss.			1991	vii, 251p
	18.	Penzel Manuscripts of Bach Concertos.	DortmundBachF	1		1997	77-87
	19.	Aufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs.	DortmundBachF	2		1999	291-301
	20.	A Trio in C major for recorder, violin and continuo by J. S. Bach?	EarlyM	13	3	Aug 1985	384-390
	21.	Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works.	EastmanStudM	28		2004	85-94
	22.	Historically Informed Rendering of the Librettos from Bach's Church Cantatas.	[fs]Leaver65			2007	103-120
	23.	Bach and Recorders in G.	GalpinSocJ	48		Mar 1995	199-204
	24.	The Character and Sources of the Anti-Judaism in Bach's Cantata 46.	HarvardTheolReview	96	1	2003	63-99
	25.	Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto.	JAmerMInstrSoc	17		1991	5-52
	26.	A Critical Reappraisal of J. S. Bach's A-major Flute Sonata.	JMcol	6	3	Summer 1988	367-386
	27.	On the Musically Theological in J. S. Bach's Church Cantatas.	LutherQ	16	1	2002	48-64
	28.	Blood, People, and Crowds in Matthew, Luther, and Bach.	LutherQ	19	1	2005	1-22
	29.	Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto.	MLetters	71	4	Nov 1990	494-504
	30.	J. S. Bach's Brandenburg Concertos as a Meaningful Set.	MQ	77	2	Summer 1993	193-235
	31.	Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion.	MQ	77	4	Winter 1993	718-726
	32.	Perspectives on the 'St. John Passion' and the Jews.	NYTimes			2 Apr 2000
	33.	Bach and Josephus on the destruction of Jerusalem.	[p]ABS_Houston			Apr 2002
	34.	Religious Meaning and Bach Performance.	[p]ABS_SouthBend			Apr 2016
	35.	Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6.	[p]AMS_Austin			Oct 1989
	36.	Lutheranism, Anti-Judaism, and Bach's St. John Passion.	[p]AMS_MidAtlantic			Oct 1995
	37.	Performance Practice Issues that Affect Meaning in Selected Bach Instrumental Works.	[p]AMS_MidAtlantic			Apr 1995
	38.	Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6.	[p]AMS_MidAtlantic			Oct 1989
	39.	J. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John.	[p]BICB_Salzburg			Jul 2014
	40.	Bach and God.	[p]BNUK_Cambridge			Jul 2017
	41.	Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig.	[p]BNUK_Cambridge			Jul 2015
	42.	Performance Practice Issues that Affect Meaning in Two Bach Instrumental Works.	[p]BS_Dortmund			Jan 1998
	43.	The Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion.	[p]IATB_Chicago			Sep 1997
	44.	Bach, Luther, and Josephus on the Destruction of Jerusalem.	[p]IATB_Eisenach			Mar 2002
	45.	Vom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs.	[p]IATB_Logumkloster			Oct 1999
	46.	Biblical solutions to Certain Problems in Bach Biography.	[p]IBS_Utrecht			Sep 2000
	47.	New Theological Research on Bach's Church Cantatas and Oratorios.	[p]IMS_Middelburg			Mar 2005
	48.	Arthur Mendel and the World of J. S. Bach.	[p]Mendel60BR			Nov 2005
	49.	Blood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion.	[p]WAfB_Wolfenbüttel			Apr 2003
	50.	Bach-Repertoire für Flötisten.	Tibia	12	3	1987	537-540